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Gretchen Mol Manchester By The Sea

Written By Wednesday, July 13, 2022 Add Comment Edit

2016 moving picture by Kenneth Lonergan

Manchester by the Sea
Manchester by the Sea.jpg

Theatrical release poster
Directed by Kenneth Lonergan
Written by Kenneth Lonergan
Produced past
  • Matt Damon
  • Kimberly Steward
  • Chris Moore
  • Lauren Beck
  • Kevin J. Walsh
Starring
  • Casey Affleck
  • Michelle Williams
  • Kyle Chandler
  • Lucas Hedges
Cinematography Jody Lee Lipes
Edited by Jennifer Lame
Music past Lesley Barber

Production
companies
  • K Menstruum Media
  • Pearl Street Films
  • The Media Farm
  • The Affleck / Middleton Project
  • B Story
Distributed past
  • Amazon Studios
  • Roadside Attractions

Release dates
  • January 23, 2016 (2016-01-23) (Sundance)
  • November 18, 2016 (2016-eleven-18) (Usa)

Running fourth dimension

 137 minutes[ane]
Land The states
Linguistic communication English
Budget $9million[ii]
Box office $79million[two]

Manchester by the Ocean is a 2016 American psychological drama film written and directed past Kenneth Lonergan that stars Casey Affleck, Michelle Williams, Kyle Chandler, and Lucas Hedges. Centered around the themes of depression, guilt, grief, responsibility, dysfunctional families, and post-traumatic stress disorder; the plot follows a depressed and grief-stricken homo who was accidentally responsible for the deaths of his three children and must care for his teenage nephew after the expiry of his brother.

The film premiered at the Sundance Motion-picture show Festival on Jan 23, 2016, and was picked upwards past Amazon Studios for distribution. Manchester by the Sea was filmed during March and April 2015 in the eponymous Massachusetts town and other towns in the land, such equally Beverly, Essex, Gloucester, Swampscott, Lynn, Middleton, Tewksbury, and Salem. It began a limited release on November 18, 2016, before a broad release on December 16, 2016. It grossed $79million worldwide against a budget of $9million.

The moving picture received critical acclaim and was widely counted among the best films of 2016; the National Board of Review listed it as the top film of 2016. Critics complimented the performances of Affleck, Hedges, and Williams, every bit well as Lonergan's screenplay and management. At the 89th Academy Awards, Manchester past the Sea won awards for All-time Actor for Affleck and Best Original Screenplay, and additional nominations for Best Picture, Best Director, Best Supporting Role player (Hedges), and Best Supporting Actress (Williams). Affleck as well won the Golden Globe Laurels for All-time Actor – Motion Picture Drama; the film was too nominated in iv other categories. The British Academy Moving picture Awards nominated the picture for six awards, of which information technology won Best Actor in a Leading Office for Affleck and Best Original Screenplay.

Plot [edit]

Lee Chandler is a depressed and asocial janitor who lives alone in a basement apartment in Quincy, Massachusetts. One solar day, he is told that his blood brother Joe, a fisherman who lives in Manchester-by-the-Sea, has suffered cardiac arrest; Joe dies earlier Lee can get to the infirmary.

Lee insists on existence the i to tell Joe'southward teenage son Patrick about his father's death. While making funeral arrangements, they are reminded Joe's body cannot exist cached until spring every bit the ground is frozen. Lee makes plans to remain in Manchester, living in Joe's house until the delayed burial.

When Lee meets with Joe'south attorney he is shocked to observe Joe named him as Patrick'southward legal guardian. Flashbacks reveal that Lee once lived in Manchester with his so-wife Randi and their iii small children. While intoxicated ane night, Lee forgot to put the guard in front of the fireplace, leading to the house fire that killed his children. No criminal charges were filed against him, as the police considered it a tragic blow. Even so, at the station, a guilt-ridden Lee stole an officer's gun, attempting to shoot himself. He and his wife divorced, and Lee left boondocks. Lee is reluctant to commit to the guardianship, as information technology would require him to move back to Manchester.

Plans are begun for Patrick to move to Boston with Lee but he has strong links with the Manchester customs and strongly objects. Lee commits to staying until the finish of the school year. Patrick wants to live with his estranged mother Elise, who nonetheless lives in the expanse. Lee is opposed to this equally her history with alcoholism led her to abandon her family, just Patrick decides to reconnect with her over dejeuner.

Elise has committed to Christianity and sobriety with her fiancé Jeffrey, but during an bad-mannered repast with them, Patrick finds he is unable to connect with her. He is further unsettled when Jeffrey emails him and insists on being an intermediary in any hereafter communication between them. Lee'due south positive comments near Elise'south sobriety lead Patrick to believe his uncle is trying to get rid of him, assertions Lee denies.

In response to this strain in their relationship, Lee takes steps to possibly extend his stay in Manchester and seeks to spend more time with Patrick. Over time, they re-establish their bond, despite conflicts over Joe's boat, Patrick's girlfriends, and their time to come living arrangements.

However, staying in Manchester is still painful for Lee, equally he is surrounded past reminders of his past. One 24-hour interval, Lee runs into his onetime wife Randi and her newborn child Dylan. A sobbing Randi expresses remorse for her treatment of him during their divorce and asks him to have lunch. Lee deflects her amends, feeling that he does non deserve it. When she insists they reconnect and pleads with him not to "just die", Lee is overwhelmed with emotion and has to leave before he breaks down.

Distraught, Lee gets drunkard at a bar, picks a fight with strangers, and is knocked out. He awakens in the living room of Joe's friend George and breaks down in tears. At dwelling house, Patrick shows his uncle deference after seeing his battered land and pictures of his deceased children. Lee arranges for George and his wife to adopt Patrick and then that he can remain in Manchester while Lee takes a job in Boston. When Patrick asks Lee why he cannot remain in Manchester, Lee says that he "tin can't beat it."

During a walk subsequently Joe's burial service, Lee tells Patrick he is searching for a residence in Boston with an extra room so Patrick can visit whenever he wants. In the concluding scene, Lee and Patrick get angling on Joe's refurbished boat, which Patrick has inherited.

Cast [edit]

  • Casey Affleck as Lee Chandler, a grief-stricken loner
  • Lucas Hedges as Patrick Chandler, Lee's 16-year-sometime nephew and charge
  • Ben O'Brien as young Patrick
  • Michelle Williams as Randi, Lee'southward ex-wife
  • Kyle Chandler as Joseph "Joe" Chandler, Lee'southward blood brother and Patrick's father
  • C. J. Wilson as George, the Chandlers' family friend
  • Tate Donovan every bit Avery Chandler, Patrick'south hockey passenger vehicle
  • Kara Hayward every bit Silvie McGann, one of Patrick'southward girlfriends
  • Anna Baryshnikov as Sandy, one of Patrick'due south girlfriends
  • Heather Burns as Jill, Sandy'south mother
  • Gretchen Mol as Elise Chandler, Joe's ex-wife and Patrick'south mother
  • Matthew Broderick as Jeffrey, Elise'southward fiancé
  • Josh Hamilton equally Wes, Joe's lawyer
  • Kenneth Lonergan in a cameo as a Manchester pedestrian
  • Stephen Henderson every bit Mr. Emery, Lee's boss
  • Erica McDermott equally Sue, the gunkhole g boss

Themes [edit]

Manchester by the Bounding main is a handling of profound grief from which information technology is difficult or impossible to recover. In an essay in Cineaste, Colin Fleming writes that "the question Lonergan invites united states of america to ask ourselves is how on earth would we be able to carry on afterwards an event then tragically full of loss and guilt."[3] Speaking to the persistence of grief, Film Comment magazine says that "Lonergan is telling the states that Lee's grief cannot exist contained or subdued because his past lives on wherever he goes."[4] Remarking on the way flash-backs announced all of a sudden during the motion picture, critic Anthony Lane says that Lonergan "gain on the assumption that things are hard, some irreparably so, and that it's the job of a picture show non to smooth them over."[v] He also noted the tragedy is juxtaposed with "the harsh one-act that colors much of the dialogue, and the virtually-farcical frequency with which things become wrong."[6] Forth those same lines, critic Steven Mears chosen the movie "a study of grief and reticence that finds droll humour in those very sources,"[7] and Richard Alleva says the loving merely tense relationship between Lee and Patrick "keeps the story nicely balanced between rough hewn comedy and fragile desolation."[8] Explaining his objective, Lonergan said,

I don't like the fact that, nowadays, information technology feels like it's not permissible to leave something unresolved... Some people live with their trauma for years. I'm non interested in rubbing people's faces in suffering... Merely I don't like this prevarication that everybody gets over things that hands. Some people can't get over something major that's happened to them at all; why can't they have a movie too?[9]

The film's events take identify through the cultural filter of a blue-neckband, New England customs. John Krasinski and Matt Damon initially approached Lonergan about developing the story in New England.[10] As Lonergan researched the areas surrounding Manchester-by-the-Sea, he sought to include details specific to the area, such as its distance from Quincy, the delayed burial because of the frozen ground in a historical cemetery, and the realities of line-fishing life.[10] Critic Sam Lansky said the lead grapheme's New England roots brand him "disinclined to emote",[xi] and Tom Shone said Lonergan'south dialog forces "the story'southward heartbreak to peep from backside these tough, flinty New England exteriors."[12]

Product [edit]

Matt Damon and John Krasinski brainstormed a motion-picture show nigh an "emotionally crippled" handyman, and took the idea to Lonergan for his input, thinking Krasinski would star and Damon would direct.[ix] Damon had worked with Lonergan on the 2011 film Margaret.[13] Both actors became occupied with other projects while Lonergan worked on the screenplay for 3 years.[ix] Later on Damon read a rough draft of the script, he insisted Lonergan should direct the project and that Damon would star in it.[9] [14] They announced they would collaborate on the project on September 6, 2014, and pre-product began ii days later.[13] However, Damon would not take a break in his schedule for some other year.[9] In early on December 2014, while filming The Finest Hours, Casey Affleck told The Boston Earth he would replace Damon in the atomic number 82 function.[15] Damon said he "wouldn't give this office up to anybody but Casey Affleck."[9]

Affleck officially replaced Damon on January 5, 2015.[xvi] On Jan nine, Michelle Williams was selected to play the atomic number 82 grapheme's quondam wife[17] and Kyle Chandler was cast equally Affleck's character's older brother on February 24.[eighteen] In April 2015, Lucas Hedges joined the bandage of the film.[xix] Lonergan has said Hedges' audition was "special" but that he was unsure how the young actor would perform "considering his background is so different [from that of the grapheme]. Ultimately he did a beautiful chore."[ten] Information technology was later revealed Erica McDermott had too been cast.[xx] Coming from a theater background, Lonergan had the actors rehearse tabular array read-style for two weeks before filming.[21]

Principal photography began on March 23, 2015, with scenes filmed in the town Manchester-by-the-Sea, Massachusetts,[22] and the North Shore at locations in Beverly, Essex, Gloucester, Swampscott, Lynn, Middleton, Tewksbury, and Salem.[23] [24] Filming wrapped on April thirty, 2015.[25] In Oct 2018, Damon said in an interview with The Bill Simmons Podcast Lonergan had originally planned to film a different catastrophe to the moving picture that would have been a retreating drone shot of a flashback of Affleck'southward and Williams' characters, their children and extended family, on his brother's boat. The scene was determined to exist also expensive to film, although Damon said the flick's unexpected financial success meant it could have been filmed subsequently all.[26]

Initially, Gigi Pritzker was due to produce and finance the film through her company Odd Lot Amusement.[xiii] In March 2015, even so, it was reported Kimberly Steward, through her visitor Chiliad Period Media, would produce and finance the film with Damon (through his visitor Pearl Street Films), Chris Moore (through CMP), Kevin J. Walsh (through his company B Story), and Lauren Beck, along with additional financing from Sierra/Affinity. The executive producers were Josh Godfrey, John Krasinski, Declan Baldwin, and Beak Migliore.[27]

Music [edit]

Lesley Barber was selected to score the picture, every bit she had previously worked on Lonergan'due south 2000 motion-picture show You lot Can Count on Me.[28] She developed the outset musical themes after reading the script.[29] In one case she established the themes, Barber worked with the orchestra to create a sound that emoted the sound of the ocean with "underlying tension" with lightness, for exterior scenes.[28] Early in the scoring process, Barber took inspiration from New England church music from the 1700s, including Calvinist hymns and other music of the Pilgrims and Colonial era, with its emphasis on a cappella vocals.[30] Barber developed the music to complement her understanding of the essence of the flick'southward scenes based on emails and conversations with Lonergan.[28]

To score scenes that reverberate Lee's "interior landscape," she sent the music to her daughter Jacoba Barber-Rozema, an opera major,[29] then recorded her singing in her dorm room via Skype.[29] [30] Barber said the confined space made for a "perfect sound."[xxx] Orchestration was later added to the track.[29] For the opening flashback of Lee in happier times, Barber recorded her daughter's vocals in a large, spacious auditorium.[28] Instead of giving Lonergan demos, Barber provided him with more-finished pieces earlier in the editing process to allow the director to have a better sense of the music while editing.[28] The film was cut down after the Sundance screening, requiring Barber to rework and simplify some of the music.[28]

Critic Steven Mears says the film's score "gives form" to the feelings of blue-collar Americans.[vii] Bobby Finger, writing for Jezebel, chosen information technology "an elegant white noise... a hypnotic soundtrack to focused thought."[31] Caitlin Warren of Spindle Magazine said the score adds perfectly "to the raw emotion of the picture show without ever overwhelming information technology to the point of feeling contrived or cheesy."[32] Film score critic Jonathan Broxton said the music "dwells in the bitterness of regret" and that information technology has "a captivating, dream-like quality that is... dramatically appropriate for the moving picture it accompanies."[33]

The use of "Adagio in G small" to accompany the revelation of Lee'south tragedy received mixed reviews. The New Yorker said, "Any slice of music that has been used for Rollerball, Gallipoli, and Flashdance has, by definition, been squeezed dry out."[5] Mark Kermode of the BBC said the slice "has been overused so much in popular entertainment that when information technology turns up, it'due south distracting."[34] According to Koresky, in the montage, "Lonergan thickly lays on the Handel, Bach, and Albinoni, making this sequence almost surreally operatic in its horror."[4] In an interview, Lonergan said he originally used the piece as a stand-in track while editing and decided to continue information technology in.[34] The University of Move Picture Arts and Sciences ruled the film'south score ineligible for Oscar consideration due to the volume of music from classical composers in the soundtrack. In a statement Hairdresser released to Variety, she said, "While I accept the Academy's decision, I too support my director's decision to use these pieces and I'thou also very proud of the substantial contribution that the original score made to the film as well."[30]

Soundtrack [edit]

All music was written by Lesley Barber unless otherwise noted. The orchestra was conducted by James Shearman. Jacoba Barber-Rozema, Barber's daughter, provided additional vocals. The album was recorded and mixed by Xxx and edited past Mick Gormley. The album was produced past Barber and Stefan Karrer.[33]

Release [edit]

Manchester by the Sea had its earth premiere on January 23, 2016, at the Sundance Film Festival.[36] Shortly afterward, Amazon Studios acquired U.S. distribution rights to the film for $10million, chirapsia Sony Pictures Classics, Universal Pictures, Lionsgate, and Fox Searchlight.[37] [38] This was the 2nd-largest disclosed purchase at the Sundance Motion-picture show Festival after The Birth of a Nation at $17.51000000.[39] Roadside Attractions, of which Lionsgate owns 45%, later on became co-distributor of the film with Amazon.[40]

The movie was screened at the Telluride Picture show Festival and the Toronto International Picture show Festival, both of which took place in September 2016.[41] [42] [43] The 2016 New York Moving picture Festival, which ran from September xxx to Oct sixteen, included Manchester by the Body of water in its "main slate" and invited Longergan to participate in audience question-and-respond sessions after the October 2 and 11 screenings of the film.[44] [45] It was also shown at the BFI London Moving picture Festival on October 8, 2016.[46] The film was theatrically released on November 18, 2016.[47]

Home media [edit]

Manchester by the Sea was fabricated bachelor to stream on Amazon and for digital download in the U.Southward. on February 7, 2017,[48] and on Amazon Prime on May five of that twelvemonth.[49] It was released on DVD and Blu-ray on February 21, 2017.[50] In the UK, the film became available for digital download on May 8, 2017, and on Blu-ray, DVD, and On Demand on May 15 the same year.[51]

Reception [edit]

Box role [edit]

Manchester past the Sea grossed $47.7million in the United States and Canada, and $31.iiimillion in other territories, grossing $79meg worldwide against a production budget of $9meg.[ii] The film began a limited theatrical release on Nov eighteen, 2016, and grossed $256,498 from four theaters that weekend, making for a per-theater average of $64,125. It began a U.Due south.-wide release on Dec 16, 2016, opening confronting Rogue One and Collateral Beauty, grossing $4.twomillion, and finishing 6th in terms of revenue at the box office.[52]

Critical response [edit]

Manchester by the Sea received disquisitional acclaim and praise for Lonergan's screenplay and direction, and the performances of Affleck, Hedges, and Williams. After an early on screening at the Sundance Film Festival, Rolling Stone called it the "must-run across moving picture" of 2016.[9] Every bit more critic reviews were published, Rotten Tomatoes assigned the pic an blessing rating of 96% based on 353 reviews with an boilerplate rating of 8.80/10. Co-ordinate to the website's disquisitional consensus, "Manchester past the Body of water delivers affecting drama populated by concentrated characters, mark another strong step frontward for writer-director Kenneth Lonergan."[53] On Metacritic, the picture has a weighted average score of 96 out of 100 based on 53 critics—the 3rd highest of the year—indicating "universal acclaim."[54] According to Metacritic data, critics counted the film among the best films of 2016.[55]

Giving the motion-picture show five stars out of five, Phil de Semlyen of Empire called the movie "masterfully told and beautifully acted", and favorably compared Affleck'south performance to that of Marlon Brando in On the Waterfront, and saying, "there's non much higher praise than that."[56] Diverseness 's Justin Chang said the film is a "beautifully textured, richly enveloping drama" and, while he noted that the film "may be too sprawling a vision for all arthouse tastes," he asserted that "Lonergan's many champions are scarcely the only viewers who will be stirred by this superbly grounded and acted 3rd effort."[57] Critic Peter Travers said the movie "ranks with the twelvemonth's very all-time films" and that "information technology takes a piece out of y'all."[58] RogerEbert.com'south Matt Zoller Seitz gave the flick iv stars out of four, stating it is "the kind of movie yous'll want to see a second time with someone who hasn't seen information technology however, to remember what information technology was like to sentinel it for the first time."[59] Anthony Lane of The New Yorker called the motion-picture show "carefully constructed, compellingly acted, and often hard to sentry."[6]

Entertainment Weekly 's Leah Greenblatt said "the exquisitely crafted, emotionally ragged Manchester doesn't just ask for fourth dimension and effort; it earns it."[lx] In a mixed review, Lanre Bakare of The Guardian gave the film three stars out of five, saying the "impact of this impressive drama is suffocated by the silence and suffering of its central graphic symbol."[61] The film was included on many cease-of-year lists, including those of the American Flick Institute,[62] Rolling Stone,[63] BBC,[64] The New York Times,[65] Los Angeles Times,[66] and The Washington Post.[67]

The scene that drew the most critical praise depicts the characters Randi and Lee speaking again years later their divorce; Anthony Lane called it the "highlight" of the movie.[5] Tom Shone said of Williams' performance, "if this actress were put on earth to do one thing only, information technology would be this scene."[12] Co-ordinate to Chang, Williams "has one astonishing scene that rises from the movie like a pocket-size aria of heartbreak."[57] Zoller called the scene "a duet of mortification and mercy that stacks upwards with the best of Mike Leigh (Secrets and Lies)."[59] Affleck said he strove to bear witness restraint while interim the scene, calculation, "The challenge was to have all of those feelings and hold information technology without weeping and wailing and gnashing your teeth. To be there, and not be there."[11]

In 2018, IndieWire writers ranked the script the fifth all-time American screenplay of the 21st century, with Michael Nordine arguing that "Lonergan's screenplay balances almost every heartbreaking scene with a moment of levity [...]; this proves crucial, as the moving-picture show might otherwise take but been too lamentable for virtually people to become through."[68]

Accolades [edit]

Manchester past the Sea received six nominations at the 89th Academy Awards: Best Picture, All-time Managing director, Best Histrion (Affleck), Best Supporting Actor (Hedges), Best Supporting Actress (Williams) and Best Original Screenplay,[69] winning two for All-time Original Screenplay for Lonergan and Best Actor for Affleck. It was the first film released by a digital streaming service to be nominated for Best Picture.[70] Affleck won the Golden World Award for Best Histrion – Move Motion-picture show Drama, and the pic was nominated for four additional awards at the 74th anniversary: All-time Picture, All-time Director, Best Supporting Actress (for Williams) and All-time Screenplay.[71]

The film received six nominations at the 70th British Academy Picture show Awards: Best Film, Best Direction, Best Editing, Best Thespian in a Leading Function (Affleck), Best Extra in a Supporting Role (Williams), and Best Original Screenplay (Lonergan).[72] Affleck won Best Actor in a Leading Function and Lonergan won All-time Original Screenplay.[73] The National Board of Review listed Manchester by the Bounding main as its superlative film of 2016.[74]

References [edit]

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External links [edit]

  • Manchester past the Sea – official site
  • Manchester by the Sea at IMDb
  • Manchester by the Sea at Rotten Tomatoes

Source: https://en.wikipedia.org/wiki/Manchester_by_the_Sea_(film)

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